El peso de lo común.

The weight of the ordinary.

This body of work brings together paintings and sculptures where bodies, objects, and spaces hold a state rather than describe an event. Figures, chairs, vessels, interiors, and fragments appear through simplified forms, placed within unstable structures where balance feels provisional and tension remains open.

I am interested in the ordinary. Familiar objects and everyday spaces become charged without losing their simplicity. A chair, a vase, a room, or a body can hold pressure, vulnerability, resistance, or quiet suspension. The work does not try to explain these states, but to keep them present.

The sculptures extend this language into physical space. Chairs and constructed forms lean, bend, or resist balance, often using everyday and construction materials. They carry the same instability found in the paintings, but through weight, structure, and material presence.

Collage and drawing remain part of the process. They allow immediacy, testing how fragments, bodies, and planes can come together before becoming more resolved in painting or object form. Across the work, the aim is to hold a state long enough for it to be felt.