These chapters trace the evolution of my practice over time. The earliest works focused on feet in motion, fragments crossing fields and unstable ground. I was interested in transit and trace, in what it means to leave and to carry something forward. From there, the work shifted toward shelter and thresholds. Tents, houses, provisional structures. Architecture began to hold emotion. Gradually the paintings turned inward. Personal moments emerged. The figure moved closer and began to face the viewer. Landscapes flattened into high horizons and simplified forms. The language became more distilled.

In the most recent works, the body stands still inside a charged space. The ground may tilt. A doorway may open. A circle may suggest distance or elsewhere. The focus is no longer only on movement, but on what remains within it. Many of the titles are in Spanish, the language of my childhood and of the landscapes that continue to inform the work. Each chapter can be entered on its own, yet together they form a continuous investigation.